You may be wondering why chronicle an album that came out over a year ago? Well here it is: I started this column last year that when I dropped my old PC, I lost everything and I put it aside. But lately, I was asked if I still wanted to do it and I said yes because I thought it was unfortunate not to speak of "Notes in the Margin."

"Notes in the Margin" is a varied album that will surely appeal to many of you who are looking for something different!

My only regret is not having had the opportunity to tell you about it before! As the saying goes, "It's never too late to do."

The full review is up at Progressive-area.com.

And popular webzine Progressor published a review back in September. Here is Olav's conclusion.

"Notes in the Margin" is a partially instrumental album that explores a sound that ranges from hard prog akin to Rush on the one hand to space and symphonic-tinged themes that share some characteristics with late 70's Pink Floyd. Those who enjoy both these acts might well find Dave Kulju to be an artist worthwhile exploring, and I suspect that this album might also appeal to some of the people who tend to like neo-progressive rock. Overall, this is a good-quality production from start to finish, and one that should have a much broader appeal than most solo efforts crafted by a guitarist going solo.

The full review is up at progressor.net

Anyway here are some of her thoughts on my little cd.

With superb production values and sterling sound quality, Notes in the Margin is indeed an excellent release, worthy of the attention of even the more demanding prog listeners. It is a pity that – like most studio-only projects – it will probably flow under the radar of many fans in favour of more extensively publicized albums. A labour of love in every sense of the term, classy and literate yet full of endearing warmth, this is a must for everyone who loves melodic, guitar-oriented progressive rock. It would be a boon if, one day, Dave managed to put a band together and perform his music on stage, in spite of all the well-documented difficulties that plague those artists looking for live outlets for their work.
click here for the full review

Which segues nicely to our next subject. Now that the shoulder is functional enough to play I've been jamming with a local bass player and drummer and collaborating online with a keyboard player who also lives in the area. Is it the start of a new band? I'm not sure yet. But it has been really great for putting me in a creative mindset. In about a month I have more than a half dozen different pieces in progress as well as collaborating on a couple of pieces by the keyboard player.

Also I'm working up some guitar tracks for Gino Foti's next solo project.

Finally a quick medical update. I had another followup appointment about a month ago. I'm apparently healing remarkably well, but have to be patient. The soreness, stiffness, and general weakness is expected to persist for another 4-6 months. But the doctor says by the one year anniversary of the fall I should be back to normal.

And if that weren't enough it has also been nominated for Best Foreign Record of 2010 by the Italian site Prog Awards!

The first one, Skating, is from The Charlie Brown Christmas, whose sound track (by Vince Guaraldi)is IMO the best holiday album ever. The second track is my arrangement of Greensleeves/What Child is This.

download mp3: Skating
download mp3: Greensleeves

So far as the shoulder goes, it has been 6 weeks since the fall. I see the doc again for another round of x-rays this week. Hopefully I'll get some good news and I can get a bit more aggressive with the Physical Therapy. Progress is as expected but slow so far. The nasty bruise has cleared. I still can't move my left arm very much, and attempts to do so usually end with various amounts of pain. In fact it is barking pretty good right now from typing so I'll wrap this up. Haven't attempted to play a guitar yet.

As the listener finishes consuming the album, all that will be left are scattered crumbs, a warm, full feeling, and the knowledge that this particular sandwich is destined to become one of your favorite comfort foods. Thank you, chef Kulju.

Read the entire review at USA Progressive Music.

The review uses a lot culinary imagery. Luckily I did better than the "Shark Sandwich" review from This is Spinal Tap.

Over time I was able to acquire a Pearce G1 and G2r amps. I had custom cabs built for them by Miyako Designs in California. The cab dimensions are modeled after the original Pearce cabs. But these are loaded with neodymium speakers and are constructed out of solid pine so they weigh in a full 15lbs less than the originals. And they are open/closed back convertible.

The custom padded slip covers were made by Studio Slips.

Essentially I'm configuring the two amps as a 4 channel 200 Watt stereo amp using a TC Electronics G system to handle the effects and channel switching.

The bad news.... I can't play with my new toys for awhile. Monday, I fell down the stairs of that deck in the amp photos and broke my shoulder in two four places (not to mention sprained my ankle and smashed my head into a post). My left arm is immobilized for awhile (I can now testify that typing w/ one handed sucks) and after that I'm looking at a long rehab process. Doc says I can expect considerable pain for 6 months.

The good news about the bad news is they don't think I need surgery and when all is said and done I should recover almost a full range of motion from the shoulder. 90% or better.

The bruise on my bicep is pretty gruesome.

Shot photo in mirror so it is reversed, it is the left shoulder that I fractured.